Author Archives: xiali01

Mengting Zhuo is an artist based in London, originally from Guangzhou, China.  Fusing body, sound, objects, and site, she creates work that emerges from here and now, in the forms of performance, participatory installation, and concerts. Presence and liveness are at the heart of her practice, both for the audience and the artist. As a …

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SUSANNE SONGI GRIEM is a Performance and Visual artist from Germany (Ruhrgebiet). Her first work for stage Fish und Swan in Negligé premiered in 2021 as a journey through a living anti-cabinet of curiosities and memory. Spaziergang bei Nacht followed in 2022, an acoustic duet with Pete Prison IV that held the warm atmosphere of a …

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Chen Lizhi graduated from Peking University with a B.A. in physics, and an M.A. in nuclear engineering. He studied theatre and got an M.F.A. degree at SLC in New York, majoring in hybrid media, writing, and directing. He is also pursuing a Ph.D. degree in Theatre & AI at the Central Academic of Drama in …

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Raha Dehghani Vinicheh (b.1995) is an Iranian Visual Artist, Dancer, and Choreographer. She focuses on the relationship between gestures and body politics in her work and her investment in body-based performance-making, comes from a Visual background, which spans Video art, Painting, Drawing, textile, sound dance, and performance. She studied for her Bachelor of Painting in Tehran, Iran, …

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主题: 草稿剧场：在流水线式剧场生产之外 主讲人: 赵川 时间: 2022年11月29日周四，欧洲中部时间下午1点，北京时间晚上8点 语言: 中文 会议链接:  https://uni-goettingen.zoom.us/j/66476427828 会议 ID: 676 228 6172 扫描二维码参会 摘要: “草稿剧场”所催生的戏剧，总处在有待完成的进行状态——它可以被当作人们在一起不断试图描绘世界过程的一张张草稿。它因此难以被视为商业产品或个人化的作品。草稿剧场被我从民间剧团“草台班”近年的实践中提升出来，它不是一项形式主义的剧场实验，而更关乎文艺中的生产关系——我们为什么需要剧场？但它仍从形式：空间、表演、个人与集体、现实与诗意等路径来具体展开和探索。民间原生态的草台班子，意味了更生动的空间形态，是草稿剧场的立足点；主要由普通人而非剧场专业人士参与的探索和拓展的剧场工作坊，是它的主要实践方法。它强调身体力行过程中的不断涂抹、描画和呈现。戏剧若是社会史的一部分，草稿剧场则希望在当下环境中积蓄迎向未来的积极能量。本讲座会以我与草台班参与者近年的一些创作和实践为例作分享和研讨。 简介: 赵川，跨越剧场、文学、电影等多重创作领域，也介入艺术评论与策划，是2005年开始的民间剧团“草台班”的共同创建与主导者。他执着于探索艺术与社会实践如何交织——什么是其中的个人、集体、身体、思辨、纪录与诗意。参与集体创作、导演和演出的作品包括：探索当下青年生存状态的《草芥》系列（2018-2019）、关于底层困境、革命史和未来探讨的“社会剧场三部曲”（2006-2017）：《世界工厂》、《小社会》与《狂人故事》等。已在海内外出版包括《激进艺术小史》（2014）、《不弃剧场》（2021）、《另一场聚会》（联合编撰，2021）等多种书籍。