CONTENTS

01. Ed. Zijin CHEN / Fostering Synergy Between Art and Technology in a Diverse Realm➤

陈子今整理 / 多元与协同：促进艺术与科技的融合

06. 王墨林口述 敖玉敏整理 / 身体姿态与历史记忆: 台湾剧场的八零年代➤

11. WANG Mo-Lin, ed. Yumin AO, trans. Iuliia Baturo / Physical Gestures and Historical Memories: Taiwan Theater in the 1980s➤

18. 郭亮廷 / 逆天的反叛者➤

26. Liangting GUO, trans. Iuliia Baturo / An Iconoclastic Rebel➤

34. 王仁君整理 / 王墨林纪事年表➤

39. Ed. Renjun WANG / The Chronology of WANG Mo-Lin➤

45. Kyoko Iwaki / Hesitant Japan: Queering Relationalities in Theater der Welt 2023➤

56. 岩城京子撰写 敖玉敏翻译 / 犹豫的日本：2023 年世界戏剧节异常的关联性➤

63. 刘晓义 / “反观与互鉴”专栏：发展文化网络——官方策略与民间先锋➤

65. Xiaoyi LIU / “Contemplation and Reflection” Column: Developing Networks of Culture: Governments’ Strategies and Civic Pioneers➤

68. 陈晶晶 / 诗剧《阿基琉斯的花冠》导演手记➤

74. Jin CHEN, trans. Iuliia Baturo / Director’s Notes on Poetic Drama The Wreath of Achilles➤

80. 李静 / 戏剧的种子：《戎夷之衣》精神主题的发展➤

87. LI Jing, trans. Iuliia Baturo / Seeds of Theater: The Development of the Themes in The Clothes of Rong Yi➤

98. 王犁摄影 / 郗望导演李腾飞主演独角戏：《一只猿的报告》➤

Li WANG’s Studio / A One-man Show by Director XI Wang and Actor LI Tengfei: Listen to Your Inner Ape

108. 钟海清 / 原创剧本《奴役的游戏》➤

Haiqing ZHONG / Original Playscript: The Game of Enslavement

131. Carlos Darze / The Male Body in Romeo Castellucci’s BROS➤

卡洛斯·达泽 / 罗密欧·卡斯特鲁奇《兄弟们》的男性身体

143. 高音符 / 到处去跳舞：2022年鲁尔三年展文慧舞蹈剧场《我60》➤

Yinfu GAO / Go Dancing Everywhere: Dance theater I am 60 by Wen Hui at the Ruhrtriennale 2022

155. 卢凌煜 / 戏剧是人生的光合作用——专访清华大学艺术教育中心副主任肖薇➤

Lingyu LU / Theater is the Photosynthesis of Life: Interview with Xiao Wei, the Vice Director of the Art Education Center of Tsinghua University