Click the picture to read Ying Ming Theater Vol. 16
Contents:
Installation Art Exhibits
01. Bio of Installation Artist Feifei Yu →
Encounters of Art, Education and Human // Moqing Sun
04. Art Courses from Art Academy to Xinya College, Tsinghua University // Li Mu →
Chinese Theater Today // Tingting Wang
12. Learning from Tradition and The Dimension of Creation: The “New Codification” Concept in Ding Yiteng’s Theater // Tingting Wang →
Contemporary European Theater // Chaomei Chen
19. GRM.Brainfuck: A Dystopian Sci-fi Musical for the Digital Age // Yumin Ao →
36. A Tragicomedy of Isolation under the Cloak of COVID-19 Pandemic: A Review of Happy Days by Irish Landmark Productions // Chaomei Chen →
Communication and Extension // Jiayue Li
43. Survey: Why Are We Still Watching Shakespeare 400 Years Later? (I) Reception of Shakespear’s Play in Contemporary China // Jiayue Li →
56. Interview: A Dialogue with Moritz Beichl, Director of The Bandits: Why Do We Still Need Schiller? // Mengfei Zhao →
目录 ：
装置艺术品图览
01 装置艺术家于霏霏简介 →
“艺术、教育与人的相遇” 栏目 // 主持：孙墨青
07 从美院到书院的大学艺术课 // 李睦 →
“今日华语剧场” 栏目 // 主持：王婷婷
13. “向传统学艺”与创作的维度：丁一滕的戏剧“新程式” // 王婷婷 →
“当代欧洲剧场” 栏目 // 主持：陈超美
20.《车库饶舌/脑残》 : 一部数字时代的反乌托邦科幻音乐剧 // 敖玉敏 →
37. 疫情底色下的隔离悲喜剧：评爱尔兰地标剧团的《快乐的日子》// 陈超美 →
“交流与延伸” 栏目 // 编辑：李佳玥
44. 调研：四百年后，我们为什么还看莎士比亚？（一）：莎剧在当代中国的接受情况 // 李佳玥 →
57. 访谈：对话《强盗》导演Moritz Beichl: 为什么今天的我们仍然需要席勒？// 赵梦飞 →
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